To know where you're going, you must know where you've been.
I've said it before, studying the history of art and photography provides you a broader view of the world. Filed away in the recesses of your mind will be snippets. Fragments that can be inspiring, even without consciously knowing.
In the case of "Oil Platform, 1992," I didn't realize the relationship between my photograph and one by Andre Kertesz, "The Balcony, Martinique, 1972," until several years later. Are they the same? No. There are subtle similarities, yes. Do I remember seeing the Kertesz picture before I made my image? Now, yes, then, probably not consciously. I'm sure it was always there, logged in my brain, bouncing between the synapses. Maybe a spark came through that day, or perhaps I just recognized an intriguing alignment of elements – lines, ocean, shadow, clouds, and colors. But whatever it was, seeing the similarities makes a case for studying art and the history of photography. You never know when you'll find a spark.