Terry Clark Photography

Are you looking for a photographer that can bring a fresh and creative eye to your next project or portrait?

Then look no further. Terry Clark Photography is one of the most sought after photographers in the country. Having photographed three Presidents of the United States, kings, titans of industry, and business of all size and description, there is no assignment too small or too large.

Having traveled far and wide to create storytelling pictures for his clients, Terry Clark Photography has the experience and knowledge to pull together any project, domestic or International. If compelling images are most important to you and your client, working with our team will ensure the success of your project.

Call 412-491-7887 to speak with a team member about your next photo shoot.

email – terry@terryclark.com

Filtering by Category: fine art photography

The Traveler

As photographers, we write with light. It's the essence of what we do. 

Light shapes, sculpts and envelopes who we photograph. Every form of it has a different effect and sends a distinctive message. With light, you can make your subject appear soft and inviting or harsh and threatening. You can add drama or mystery. Shape it, bend it, diffuse it, reflect it or channel it any way you want to convey the feeling and narrative you desire. 

With light, there is always darkness, the shadow. The two opposites, yin, and yang work together or tear apart depending on your intent.  

In "The Traveler" the daylight is sharp, and the shadow is heavy. Because of the angle of the sun, it appears she's moving in that direction, into the light while the shadow feels heavy, weighing her down. Variations of gray on the wall and the diagonal line from the shadow further enhance the illusion of movement. Questions abound. Why is she traveling? Where is she going? Is she afraid or looking forward to the journey. The two other subject shadows stretching toward her adds another layer of mystery and suspense. Are they merely fellow travelers, protectors or antagonists? 

Success or failure of a photograph depends on many factors. The viewer's interpretation weighs heavy on that decision. But, each person decides for themselves drawing from their life experience and tastes. No one person is correct or wrong. Hence the old saying, beauty is in the eye of the beholder. In the end, it's up to you, the creator, to decide if the story you told by writing with light was a tale worth telling. 

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Sunshine reflected

If you always carry a camera you never have to go out to photograph. All you have to do is see.

Two people walking down the sidewalk by the old Allegheny County Jail added a human element and scale to the textural quality provided by reflected sunshine off the Mellon Bank Building. Photographed at a stop light from my car window with a Fuji X100F. Always be ready, and always carry a camera.

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Earth Day

Happy Earth Day 2018. It's time to get out there and hug a tree.

I'm only a little sarcastic. Seriously, we have one planet and need to take care of it at a grassroots level because it's painfully apparent politicians aren't willing or capable of caring. I suppose there's too much money coming in from the other side. But I digress. 

It's a beautiful day in Pittsburgh, and I hope everyone will celebrate the land where we live. Make a picture of and for Mother Nature. Trees, flowers, the rivers or the multitude of creatures great and small that share our rock. Breathe in the springtime air. We all deserve it. We all need it. 

I made the picture "Roots" during a visit to Vermont. The Widelux was the perfect choice to include the exposed roots of the mighty tree, as well as the trunk and branches stretching into the sky. While the scene was alive with color, I decided black and white would be more striking. I wanted to record the scene in it's most basic graphic form to emphasize the struggle of nature against all the odds. Here was a tree thriving as it clings to life on the side of a mountain. I bowed to the awesomeness of its lifelong travail. 

Today, and every day, find your bit of awesomeness out there. Honor the earth. It's the only one we have. 

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Go out and see

When out I'm looking for pictures. I call it "shadow boxing," searching for images, exercising my eye, my vision and all other senses. I'm not looking for masterpieces; I'm just putting pieces together that work. Light and shadow, sticks and stones, color, you name it I'm looking for it. Just like a professional boxer still hits the heavy bag, a photographer needs to hit the streets and trails to keep sharp. And, as Jay Maisel has said if you're always carrying a camera you never have to go out to take pictures. It's a part of you.

Another thing I do is usually travel with just one lens. My carry camera of choice these days is a Fuji X100F. It has a fixed lens equivalent to a 35mm, perfect for street photography. 

Using one lens over and over will ingrain that view in your mind, so it becomes muscle memory. Then, when you come across a scene, you will frame it before you ever pick up the camera. 

In the photo, Stick & Stone, I was carrying a Leica M6 with a 35mm Summicron on a walk through McConnell's Mills when I noticed beautiful natural arrangement. To make it compositionally work, I had to step carefully out on a few exposed rocks along the river's edge. Please note, this action is not advisable or encouraged as the rocks are extremely slippery and dangerous. Many people have drowned from slipping off stones into the water and getting caught by an undertow. I knew the risk, but I also saw the reward in my mind's eye. I was also young and more foolish. OK, young at least. But with just one camera to worry about I had pretty good balance and a friend was with me in case I needed a hand.

Throughout my career, I've tried to use as little gear as possible in personal work and on assignments. I may own a wide range of equipment and pack it all for jobs, but I'll only carry a few extra lenses in my shoulder bag. I've said many times; focal lengths between 28mm and 90mm will handle most assignments. That opinion isn't just mine. Henri Cartier-Bresson told his Magnum colleagues they should not use any lens outside that basic kit. Who will argue with HCB?

Of course, there will always be exceptions to the rule depending on the demands of the job and especially today with the proliferation of high-quality zoom lenses. But while zooms are convenient, they can make photographers lazy. It's too easy to rack the zoom in and out to fill the frame forgetting the primary idea of focal length is to change the perspective. When I use a zoom, I look first at the focal length then through the camera because I've already decided what view I want to deliver. I'll move closer or further back to fill the frame with the zoom God gave me, my feet. 

It doesn't matter what device you use other than your eyeballs. Just go out and see.

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Just another morning in Italy

It's the kind of weather we can only dream of in Pittsburgh. A warm breeze caressing the skin. Sunshine casting sharp shadows as the bright life-giving sun in the sky breaks the horizon. Layered clouds placed against an azure backdrop to add visual interest to an already dramatic scene. Trees flawlessly placed on the top of the hill as if set there by artistic design. And the field. Row upon perfectly spaced row. All illuminated to a bright shimmer by the sun. Lines, shapes, graphics, balance, tones all working together in symphonic harmony. Or, as they say, just another morning in Italy.

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Hoarfrost

As I looked out the window this morning, it reminded me of a scene from long ago in Michigan. The overnight storm blanketed the area with four inches of fresh snow; it was just as lovely as the hoarfrost I saw in Michigan many decades past. 

For those unfamiliar, according to the Encyclopaedia Britannica, "Hoarfrost is formed by direct condensation of water vapor to ice at temperatures below freezing and occurs when the air is brought to its frost point by cooling." 

Hoarfrost doesn't happen often, but when it does the show is spectacular, especially if you experience it on a bright clear morning. I'm still waiting to see it in the sunshine. But, knowing my preference, I would probably photograph it with Tri-X, as I did here.

When presented with something as fleeting and fragile as hoarfrost it's best to have an idea where you want to photograph. I knew this location. I scouted it and filed it away in my mind to return to when the conditions were right. Location scouting is an essential part of the job. As a photographer, you need to find your locations. Don't be lazy and rely on crowdsourcing. Do your legwork. Get out there and drive around, walk about and look. Build a location notebook. Don't make other people's pictures by using sites others suggest. Find your places and make your photos. 

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